On September 21, Carl Broemel
will release Wished Out
via Stocks In Asia / Thirty Tigers
. The album marks his third solo release and follow up to 2016’s acclaimed 4th of July
. Today, Broemel released the video for the title track to the forthcoming album.
Stream “Wished Out” via YouTube:
“I saw Michael Kiwanuka and his band at the Newport Folk Fest and I really loved their patient approach to playing live. They left plenty of space in the music, and there were some amazing fuzz guitar solos in the show. When we recorded the song ‘Wished Out’ I was inspired to leave in a few long sections for the music to unfold, and also to go for the fuzz pedals.”
The album announced with an official video for “Starting From Scratch,”
which Consequence of Sound
called “a charming and breezy listen, but grounded with sturdy, glistening guitars and hearty piano.” Rolling Stone
said, “On his third solo album, Wished Out, Broemel mixes guitar-god heroics with heady lyrics about science, family and the artistic struggle. He keeps things breezy on this record’s kickoff single, ‘Starting From Scratch,’ layering a spacey, cyclical melody atop a tight R&B groove.”
Broemel recorded Wished Out at his newly-constructed home studio in Nashville, tracking many of the instruments alone before reaching out to several friends — including Robbie Crowell (Deer Tick), Russ Pollard (Everest, Sebadoh), and My Morning Jacket bandmates Tom Blankenship and Bo Koster — for help.
He worked in spurts, taking short breaks to drive his son to school and longer breaks to hit the road with My Morning Jacket, and pulled triple duty as Wished Out‘s producer, engineer, and frontman along the way.
In support of the new album, Broemel, along with support from Steelism, will hit the road for a national tour. Tickets are on sale
now. Find a full list of tour dates below.
1) Dark Matter
2) Wished Out
3) Malibu Shadow
4) Starting From Scratch
5) Rain Check
6) Just For You
7) Second Fiddle
8) Out Of Reach
9/19: Atlanta, GA – Terminal West
9/20: Charlotte, NC – Visulite Theatre
9/21: Washington, DC – U Street Music Hall
9/22: Woodstock, NY – Levon Helm Studios
9/23: New York, NY – The Bowery Ballroom
9/25: Portland, ME – One Longfellow Square
9/26: Allston, MA – Great Scott
9/28: South Burlington, VT – Higher Ground – Showcase Room
9/29: Asbury Park, NJ – Sea Hear Now
9/30: Pittsburgh, PA – Rex Theater
10/1: Ann Arbor, MI – The Ark
10/3: Saint Louis, MO – The Pageant
10/4: Louisville, KY – Headliners Music Hall
10/5: Black Mountain, NC – Pisgah Brewing Outdoor Stage (The Marcus King Band Family Reunion)
10/6: Nashville, TN – Mercy Lounge
10/23: Los Angeles, CA – Bootleg Theater
10/24: San Francisco, CA – Great American Music Hall
10/25: Chico, CA – Sierra Nevada Tap Room
10/27: Portland, OR – Dantes
10/29: Salt Lake City, UT – The State Room
10/30: Aspen, CO – Belly Up Aspen
10/31: Denver, CO – Bluebird Theater
11/2: Kansas City, MO – Knuckleheads
11/3: Omaha, NE – The Waiting Room
11/5: Saint Paul, MN – Turf Club
11/7: Madison, WI – High Noon Saloon
11/8: Indianapolis, IN – The Hi-Fi
11/9: Cleveland Heights, OH – Grog Shop
11/10: Chicago, IL – Lincoln Hall
All dates with support from Steelism.
Years before Carl Broemel joined My Morning Jacket — the Grammy-nominated, globetrotting rock band featuring his guitar playing, saxophone solos, harmony singing, pedal steel riffs, and songwriting support — he wrote his very first songs in his Indiana bedroom.
From the start, he was a multi-instrumentalist with a singer’s gift for melody. A sideman capable of handling a frontman’s job. As his guitar-playing career blossomed, Broemel continued writing songs of his own, carving out a personal, introspective sound that reached beyond My Morning Jacket’s sonic landscape. With his third solo album, Wished Out, he merges articulate, pensive songwriting — including ruminations about science, love, the passing of time, and the grind of the artistic struggle — with some of the most energetic, rock-inspired songs to date.
“I wanted to get things moving,” says Broemel, who remembers playing shows in support of his 2016 solo release — the critically-acclaimed 4th of July, full of daydreaming guitar tones and soft dynamics — and hearing the quiet crash of glass whenever his fans tossed beer bottles into the clubs’ trash cans. “My songwriting can be very mellow,” he adds. “I love that mood, but I needed more balance this time around. I needed more energy! Wished Out is all about the yin and yang.”
Broemel recorded Wished Out at his newly-constructed home studio in Nashville, tracking many of the instruments alone before reaching out to several friends — including Robbie Crowell (Deer Tick), Russ Pollard (Everest, Sebadoh), and My Morning Jacket bandmates Tom Blankenship and Bo Koster — for help. He worked in spurts, taking short breaks to drive his son to school and longer breaks to hit the road with My Morning Jacket. With sunlight filtering through the studio windows during his days at home, Broemel steadily whittled his new album into shape, pulling triple duty as Wished Out‘s producer, engineer, and frontman along the way.
From the harmonized guitar riffs and deep-seated grooves of the kickoff track, “Dark Matter,” to the McCartney-worthy pop textures and densely-stacked vocals of “Out of Reach,” Wished Out finds Broemel picking up the pace without sacrificing his love of melody. Hooks are everywhere, hidden in the dreamy, California folk-rock of “Malibu Shadow”; the percussive, psychedelic punch of “Starting from Scratch”; the stoned, stuttering rock & roll swagger of “Rain Check”; the show-stealing guitar solo that stretches itself throughout the second half of “Wished Out”; and beyond. A heavy reader, Broemel found inspiration in the scientific writings of Neil deGrasse Tyson, the work of evolutionary biologist Richard Dawkins, and the anthropological essays of Loren Eiseley. The result in an album whose melodies go down smooth, but whose lyrics unveil new layers with each listen. It’s a thinking man’s rock & roll record…or is it the other way around?
Songs like “Dark Matter” and “Out of Reach” take a turn for the metaphysical, with Broemel examining his own place within the cosmos. Meanwhile, “Second Fiddle” tips its hat to Ronnie Lane, George Harrison, Art Garfunkel, and other sidemen who’ve have balanced solo careers with their dedication to a larger, busier band. [For Broemel — an in-demand instrumentalist who’s toured with Ray Lamontagne, recorded with country icon Wanda Jackson, and become an integral part of My Morning Jacket’s engine over the last 14 years — a song like “Second Fiddle” feels particularly poignant, offering a first-hand perspective of rock & roll life in the passenger seat.]
Throughout the writing process, Broemel worked with drum loops and other programmed beats, looking to instill a strong sense of movement into his songs. He wrote at home. He wrote on tour. He wrote during an inspirational trip to Malibu, where he rented a quiet cabin above the Pacific Ocean and emerged several days later with “Malibu Shadow” and “Starting From Scratch.” The result is a tracklist whose diversity reflects the many influences, instruments, and commitments of its own creator. With its mix of guitar muscle, rock & roll grit, left-field pop punch, and lyrical wit, Wished Out sheds new light on a team player who shines just as bright when he’s calling his own shots.