BOMBUS signs with Century Media Records

Century Media Records is very pleased to welcome Sweden-based metal outfit BOMBUS to the family.
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BOMBUS was started in late 2008 in Gothenburg by axe men Feffe and Matte as a two-piece, but then they quickly emerged to a full band with Ulf (bass) and Peter (drums) joining the party.  Heavily influenced by the greats of MOTORHEAD, THE MELVINS, METALLICA and POISON IDEA, the newly arisen four-piece started to play their first live shows and evolve their own unique sound.  After releasing three 7″ singles and their praised self-titled debut album in 2010, the band matured greatly by performing many live shows throughout Europe, which earned them a massive die-hard fan base. Recently, a new bassist, Jonas, joined the band, which allowed Ulf to step back from his duties onstage to focus on the band’s artwork and video clips. In the summer of 2011, Century Media Records discovered BOMBUS, and a deal was quickly signed. To start off this new relationship, BOMBUS will release a special single, as well as a full-length album, later this year via Century Media Records.

 

The band comments on the new partnership: “BOMBUS are proud to announce that we are teaming up with Century Media Records for the release of our upcoming album ‘The Poet And The Parrot’. Century Media has always been a prominent label with a high quality roster, and we are happy as pigs in shit to now be a part of it.”

 

BOMBUS recently finished work on their new album, The Poet And The Parrot, which is tentatively set for an August 2013 release. The incredible new album track, “Apparatus,” will be released earlier on a limited 7″ single and as a digital download. This single will be available from May 2nd on, right at the start of the band’s European DANKO JONES tour. See below for all upcoming dates.

BOMBUS tour dates with DANKO JONES

5.2 WIESBADEN Schlachthof (DE)

5.3 SAARBRUCKEN Garage (DE)

5.4 2013 DRESDEN Reithalle (DE)

5.5 COLOGNE Live Music Hall (DE)

5.7 NURNBERG Hirsch (DE)

5.8 2013 LINZ Posthof (AT)

5.9 2013 DORNBIRN Conrad Sohm (AT)

5.10 MILANO Factory (Area 3)(IT)

5.11 SAN ALBERTO DI ZERO BRANCO Parco Altroquando – Maximum Festival VI (IT)

5.12 MARSEILLE Le Moulin (FR)

5.14 BARCELONA Music Hall Barcelona (ES)

5.15 MADRID Sala Arena (ES)

5.16 PORTO Hard Club (PT)

5.17 LISBON TMN ao vivo (PT)

5.18 SANTIAGO DE COMPOSTELA Sala Capitol (ES)

5.19 GIJON Sala Acapulco (ES)

 

BOMBUS line-up:

Feffe – guitar & vocals

Matte – guitar & vocals

Jonas – bass

Peter – drums

 

BOMBUS online:

http://www.bombusmusic.com

http://http://www.facebook.com/bombusmusic

http://www.myspace.com/bombusmusic

 

Bison B.C.’s ‘Lovelessness’ Will Put Them On Your Love List

They hit you like a shovel, already caked in mud and blood and piss, slamming your brain. Bottom basement guitars rooted down deep with drum and bass rhythm and riff on top of heavy riff on top of heavier riff. Based in the love of all things metal and good, born out of the Sabbaths, and Panteras, and Soundgardens, and Melvins of the world. They are dirty, fast, drop D, pounding, pulsating, back to basics, metal up your ass, all that is beautiful and disgusting about metal that we love.
‘An Old Friend’ opens up ‘Lovelessness’ and has no reverence to your need for codling. It thrives on your hate and anger and fist pounding frustration. If you are at the edge you have just been given a hearty push as you hear the maniacal laugh in your descent. Bison B.C. creates layers of patterns that have a texture of grime and excrement polished with a bit of smut for good measure. Reminiscent of the works of Mastodon and their kin, Bison B.C. has the potential to reach that bands’ level as their fans will surely tell you, and has their own style to add to the genre of ‘mind metal’.

‘Anxiety Puke/Lovelessness’ is the second track on the effort and has a throb of punk sensibility reminiscent of Black Flag, but then flips itself over and takes root in old metal magic. Gorgeous guitars blend over one another and their notes hang and bump into one another with malice punctuated by agonizing vocals. Lyrically, the thematic of ‘Lovelessness’ are glaringly clear, this is no R.E.M. ‘Happy Shiny People’ unless Slayer covered the tune and changed the lyrics to deal with destruction, death, and desolation. The “psalms of suffering” continue with ‘Last and First Things’. Starting on a slower tone than its predecessors on the disc, it quickly pulls the listener in and puts a choke hold on their eardrums. Their is a dichotomy present here of complex yet simplistic measures that are burrowed in familiarity but have a twisting, festering, invasive new passion that is infectious; it’s as if the body has lost control and must now sway and pound in homage to the music before it.
‘Blood Music’ continues the barrage of the senses and will make any sensible metalhead pray that Bison B.C. hits their town. They have built quite a reputation for their live show, touring with the likes of Baroness, Priestess, and Ghenghis Tron. Hard hiiting and unsympathetic in its brutality, ‘Blood Music’ could be the best description of Bison’s sound yet. Next up is ‘Clozapine Dream’ named after the drug oft prescribed to treat the symptoms of schizophrenia. The drug is typically used as a last resort, thus fitting very neatly into the feel and tone of Bison B.C.’s third release on Metal Blade. The cohesiveness of the music with the lyrical content puts this accomplishment on par with the bands’ cohorts such as Between the Buried and Me, Baroness, Becoming the Archetype, and The Dillinger Escape Plan. To conclude their latest is ‘Finally Asleep’ that trudges in with a military like beat to put to rest any doubts of the true weight of the material, bloody and beaten from the experience, scarred by pure existence, and disturbed beyond repair. It is the perfect cap off to what amounts to an amazing piece of sludge metal that will rot in your brain, devour your veins, and haunt your soul.

BISON B.C. worked with acclaimed producer Sanford Parker at Soma and Electrical Audio Studios in Chicago to record Lovelessness. Parker is best known for his work with bands such as Yob, Pelican, Rwake, Yakuza, Nachtmystium, Zoroaster, Unearthly Trance, and more. Needless to say, Parker is more than qualified to put-to-tape the raw, furious
energy that is BISON b.c.

What others are saying about Bison B.C.:

“thrash, smash and fuck-you-up energy that’ll soil your britches faster than a bottle of Mexican moonshine” Decibel
Magazine
“And worthy of a herd of their namesake, their music is thunderous, bone-shaking and most of all, heavy. Really heavy.
These cats have got their own gravitational pull.” Sacramento Press
“Heavy, man. Real heavy. Jean-jacket heavy.” RollingStone.com

JERMAINE ROGERS Prize Pack Contest Featuring Led Zeppelin and Foo Fighters Art

CLUTTER MEDIA GROUP and CLUTTER MAGAZINE once again team up with an amazing artist to bring their fans/collectors opportunity to expand their collections with specialty items, toys and artwork. This time, CLUTTER MEDIA GROUP and CLUTTER MAGAZINE are in cahoots with famed artist JERMAINE ROGERS for a very special FACEBOOK CONTEST, running now until Friday May 25th, 2012. The winner of this contest will be chosen at random and will receive a special limited edition (1 of 40) print by Jermaine Rogers that celebrates the anniversary of Led Zeppelin 4, as well as an Allepin Sane vinyl bust, created from a poster he designed for the Foo Fighters and produced by Plastic City Toys.

Jermaine Rogers is recognized as one of the pivotal artists in the modern resurgence of Gig/ Pop poster Art. In the last 15 years, he has created nearly 900 commissioned works for a variety of artists, including Radiohead, David Bowie, Tool, Deftones, Morrissey, The Melvins, Neil Young, The Mars Volta, Public Enemy, The Black Keys, Queens Of The Stone Age, and hundreds of others. His artwork has been featured in various books and publications, and is in the permanent collection of the Rock and Roll Hall Of Fame. Since 2003, he has also been a player in the Western Vinyl and Art Toy movement. His vinyl projects include Dero, Squire, and Veil: Specimen 129, among others. These works, as well as his various collaborations with Jamungo, KidRobot, StrangeCo, etc, have received critical praise within the industry and are collected worldwide.