ETERNAL FREQUENCY Release Official Music Video for Cover of NINE INCH NAILS Hit Single, “Head Like a Hole”!

Harrisburg, PA based Heavy Rock band ETERNAL FREQUENCY has released the official music video for their cover of the 1990 NINE INCH NAILS critical and fan favorite Industrial Rock classic, “Head Like a Hole.” A faithful rendition of the 1990 hit single, the band balances the inherent rage of the original with front-woman Emelle Elizabeth’s soaring vocals, resulting in a refreshed anti-anthem that continues to ring relevant in today’s society.

“We’ve always known we had a pretty singer, now our singer has become the Pretty Hate Machine (haha). In all seriousness, it definitely takes some balls to cover a Nine Inch Nails song, but we think that we did it justice and we hope our fans agree. We try to pride ourselves on creating sonically stimulating material with layers and depth. That is exactly why it felt necessary to showcase our interpretation of some of Trent Reznor’s finest work to date.”” – ETERNAL FREQUENCY

Download / Stream “Head Like a Hole” Online:
Apple Music | Spotify | Amazon

Eternal Frequency is a five piece, female fronted hard rock band based out of Central Pennsylvania. Blending influences of Metalcore, Hard rock, and Active Rock, Eternal Frequency brings a new energy that is also dominated by vocalist, songwriter, and frontwoman Emelle. In just under three years as a band they have released several studio singles as well as music videos including “Temptations”, “Parasite”, “What Are We Waiting For”, and their version of Queen’s “The Show Must Go On” (all proceeds going to NIVA – National Independent Venue Association) to the masses and have been reaping nothing but positive energy and reviews from their supporters. They have accrued a massively strong following in the Pennsylvania area and have garnered attention in multiple regional markets.

They are currently managed by John Phillips of 900 Management (Body Count, Another Day Dawns, and TM for Snoop Dogg, Public Enemy, and formerly Breaking Benjamin) and record with multi Grammy nominated producers Grant McFarland and Carson Slovak of Atrium Audio (From Ashes to New, August Burns Red).

The band has shared the stage with established artists such as Of Mice & MenAdelitas WaySmile Empty SoulVixen, and Sponge. They also took home the award for Best New Artist at the 2019 Central Pennsylvania Music Hall of Fame Awards and had the pleasure to honor Halestorm (Inductees) with their rendition of “Familiar Taste of Poison” at the 2020 CPMA’s. In addition EF was nominated for Best Hard Rock Band and Song of the Year.

Connect with ETERNAL FREQUENCY:
Official
Facebook | Twitter | Instagram

Chunk! No, Captain Chunk! Tour with A Day To Remember/ Stage AE March 28

Chunk! No, Captain Chunk! is excited to announce dates with A Day To Remember in March / April, with additional support from Of Mice & Men, and Issues.

The Paris, France five-piece will kick off the first leg of the “Right Back At It Again Tour” on March 20th in Atlanta, GA, and will tour in support of their debut album Something For Nothing. Dates from the band’s headline tour are to be rescheduled. Stay tuned for more touring info!


“Dearest Fans,

Due to the ADTR tour conflicting with several dates of The Pardon My French Tour, we’re going to have to reschedule dates from 3/19 – 4/5, and we apologize greatly for this. This ADTR tour is a big opportunity for us, and being able to share the stage with such an influential band of ours is an honor. We hope you understand the situation and can forgive us.

Sincerely,
CNCC”

Right Back At It Again Tour w/ A Day To Remember, Of Mice & Men, and Issues
3.20 – Atlanta, GA @ Tabernacle
3.22 – Philadelphia, PA @ Electric Factory
3.23 – Albany, NY @ Northern Lights
3.24 – Worcester, MA @ Palladium
3.26 – New York City, NY @ Best Buy Theatre
3.27 – Rochester, NY @ Armory
3.28 – Pittsburgh, PA @ Stage AE
3.30 – Detroit, MI @ Royal Oak
3.31 – Grand Rapids, MI @ Intersection
4.2 – Indianapolis, IN @ Egyptian
4.3 – St. Louis, MO @ Pageant
4.5 – Milwaukee, WI @ The Rave

AUGUST BURNS RED stream ‘Flurries’

AUGUST BURNS RED are once again pleased to spread some pre-holiday cheer with the release of “Sleigh Ride,” the second new track from their upcoming Christmas album: August Burns Red presents: Sleddin’ Hill, A Holiday Album – in stores October 9th from Solid State Records.

Last month, the band gave fans a sneak peek at the album with “Flurries,” one of two original compositions on the album. After dazzling fans with what is sure to be a future holiday classic, ABR are now giving the world a taste of their crushing take on the traditional holiday songbook.

“’Sleigh Ride’ was the last song to come together for Sleddin’ Hill’ and one of the trickier songs to cover due to its crazy structure and various key changes,” says guitarist JB Brubaker. “The original song is all over the place and so is our version. ‘Sleigh Ride’ is a complete roller coaster – there is even a jazz section in the middle complete with horns. The end reminds me of a rock n roll dance party in the 1960s. I don’t know what else to say – you just have to listen to it.”

Listen to “Sleigh Ride” and pre-order Sleddin’ Hill here:
www.augustburnsred.com

Purchase the single on iTunes now:
http://itunes.apple.com/us/album/sleigh-ride-single/id556095102?uo=4

The 13-track Sleddin’ Hill features fresh takes on a variety of Christmas classics, such as “Jingle Bells,” “Winter Wonderland” and even “Rudolph The Red Nosed Reindeer.” The album also compiles remixed and remastered versions of the band’s previous holiday singles, “O Come, O Come Emmanuel,” “God Rest Ye Merry Gentlemen” and “Little Drummer Boy” coupled with an updated version of the band’s rendition of “Carol of the Bells,” heard in Frank Miller’s (300, Sin City) movie The Spirit and Seth MacFarlane’s (Family Guy) American Dad.

Sleddin’ Hill finds AUGUST BURNS RED at what might be their most ambitious and creative yet. It’s a work that enhances the guitar and drum mastery the band are known for by adding unexpected elements such as banjo, violin, cello, piano and even horns.
“Because this was such a different type of album, I was able to get a little more wild with my influences,” confesses Brubaker. “There’s a section inspired by one of my favorite bands, BEIRUT. There’s also guitar solo that is an ode to Blue Album-era WEEZER, and my punk roots are evident all over the album.”

AUGUST BURNS RED are currently in the midst of a five-week, 30-city North American tour with support from OF MICE & MEN, THE COLOR MORALE and labelmates THE OVERSEER, before heading back to Europe where they’ll hit 12 countries in four weeks.

Already among the most respected acts in the genre, AUGUST BURNS RED solidified their status further with the June 2011 release of their fourth studio album, Leveler, which rocketed to the top of the Billboard charts – debuting at #11 on the Billboard 200 in addition to entering the charts as the #1 Hard Rock album and #2 Rock album. Adding to the stellar debut is the incredible durability and staying power Leveler has displayed, having become the band’s fastest selling album to date by a large margin.

Following two albums that have topped 100,000 apiece in sales (2009’s Constellations and 2007’s Messengers), Leveler is on pace to set a new high-bar for AUGUST BURNS RED, adding commercial success to the critical praise the album has garnered from the likes of Alternative Press, Revolver, Rock Sound and dozens of other outlets. The album pushes the band’s sonic boundaries in every direction, yet emerges as an unquestionably heavier album than its predecessor. It’s a game-changer, for ABR, and for fans of hard rock everywhere.