THEM DIRTY ROSES Announce 2021 US Tour Dates Through September!

Nashville-based, southern rockers THEM DIRTY ROSES has announced upcoming dates for their August 2021 tour run. Launching August 5 at Arts Avenue in Chattanooga, TN, the tour runs through the South and Midwest, wrapping up September 25 at Southern Wilds Festival in Lawrenceville, GA.

Tour Dates:
08/06 @ Arts Ave – Chattanooga, TN
08/07 @ Festival on the Lane – Alexandria, WY
08/13 @ Red Bicycle Hall – Madison, IN
08/14 @ Illinois State Fair – Springfield, IL
08/20 @ Pickin’ on the Pinyon Festival – Glade Park, CO
08/21 @ Tico Time River Resort – Aztec, NM
08/26 @ Buck’s Bar & Grill – Waterloo, NE
08/27 @ Big’s Bar – Sioux Falls, SD
08/28 @ Northwoods Jam Festival – Henriette, MN
09/02 @ The Gem Theater – Calhoun, GA
09/04 @ Red Neck Raft Out Fest – Afton, OK
09/09 @ The Stache at the Intersection – Grand Rapids, MI
09/10 @ Joe’s on Weed St – Chicago, IL
09/11 @ The Grenada Theater – Mt. Vernon, IL
09/17 @ Sidetracks Music Hall – Huntsville, AL
09/18 @ Locust Alley – Natchez, MS
09/24 @ Roberson House – Monroe, GA
09/25 @ Southern Wild’s Festival = Lawrenceville, GA

Click HERE for Additional Dates & Ticketing Information.

Born and raised in the Bama clay, these boys are as southern as they come. Taught how to bend a string and break a heart by Skynyrd and Hank, brothers James and Frank Ford along with their hometown friends Andrew Davis and Ben Crain formed the southern rock band known as Them Dirty Roses. Piling into an RV with their belongings, their instruments, and all the whiskey they could carry (in the cooler), they made their way from Gadsden, AL to Nashville, TN. All living all under one roof, Them Dirty Roses are a living example of the quintessential rock and roll American Dream. Their live show calls for a shot of whiskey and a 2 for 1 special — BUT what that really means is you better be ready to throw back 12 for 6 and shake it with Them Dirty Roses.

Vocals + Guitar / James Ford
Guitar / Andrew Davis
Bass / Ben Crain
Drums / Frank Ford

Connect with THEM DIRTY ROSES:
Facebook | Twitter | Instagram

LOVE THE HATE Release Official Music Video for Upcoming Single, “Solid Ground”!

Mobile, AL based Heavy Rock band LOVE THE HATE has released the dark, modern official music video for their upcoming, brutal new single, “Solid Ground.” Directed and filmed by Thomas Crane of KillDevil Films (SalivaTodd La Torre [Queensryche], Eve to Adam), “Solid Ground” features Kristi Craft and Billy Culbertson. The single will be available to purchase / stream on July 6, 2021.

“‘Solid Ground’ deals with the familiar feelings of heartbreak, loneliness, and uncertainty in moving on in the wake of a toxic relationship.” – Love The Hate

Purchase / Stream LOVE THE HATE Music Online:
iTunes | Spotify | Bandcamp | Amazon

07/02 @ Cockeyed Charlies w/ SILENT TRUST – Mobile, AL
07/03 @ Anxiety Fest Mississippi – Biloxi – MS
09/03 @ OnyxFest The Third – Jacksonville, FL
09/24 @ Daphne Civic Center w/ HINDER & TANTRIC  – Daphne, AL

Click HERE for Additional Dates & Ticketing Information.

Love The Hate is a modern rock band based out of Mobile, Alabama. Influences include such bands as ChevelleBreaking Benjamin10 Years, and Deftones.

Doc St. Andrie – Vocals
Frank Killian – Guitar
Leon Craft – Bass
Marshall Mears – Guitar
Troy Dearmon – Drums

Connect with LOVE THE HATE Music Online:
Facebook | Twitter | Instagram

Review- Sigur Ros at Stage AE


If I could provide you with just that one word as my complete review of Sigur Ros’ September 19th show at Stage AE, I would. Sadly, writers are expected to be at least slightly capable of examining and explaining the world, and it’d be negligent of me to leave you, the wonderful reader, with nothing more than a two-syllable summation of a two-hour long concert.

The show began with a short set by the luminous Julianna Barwick. I missed all but two of her songs, so I won’t speak much on her live style, but what I heard was equally as ethereal as her most recent release, Nepenthe. (Side note: don’t wait in the parking lot to hear an opener begin before going in. Often, as was the case with Ms. Barwick, bands cannot be heard outside of the venue. Tactical error.)

The 30-minute set change between acts provided me with more than enough time to wonder how my lyric-driven brain would respond to Icelandic. In recordings, it’s easier to take Sigur Ros’ vocals and composition as ambient, post-modern rock and digest it as such. I resigned myself to at least attempt to imagine each voice as just another instrument. And then the show crew brought out and rearranged bells and strings and drums and brass. There were guitars and keyboards and single light bulbs on tall stands. I worried that perhaps adding another “instrument” for my brain to keep straight was a bad idea.

They began their set began with Yfirborð, off of the recently released Kevikur. It’s an ambitious opener that feels more like a track from one of their previous albums. It’s slower, pretty, almost less-experimental. Perhaps in opening with something new that sounds so much like something old they were appeasing the many fans in the audience who have so obviously followed the band since its inception in 1994. This worked. The throngs of21-year-olds were just as pleased as their middle-aged counterparts. All heads swayed in unison, as projections of what I think were artistically blurred and filtered cordyceps fungi shifted slowly on the projection screen behind the 10-or-so musicians on stage.

The core band members, Jón Þór “Jonsi” Birgisson, Georg Hólm, and Orri Páll Dýrason, were joined by at least six others who did everything from sing ghostly, minor-key backup to play the French horn. In addition to a full drum set, there was a second half set with a series of differently sized bells hanging above it. Sigur Ros moved adeptly from song to song, never spending too long playing tracks from one album. In this way, they managed to keep the pace from ever flying too high or sinking too low. The full setlist is below, thanks to

Með Blóðnasir
Olsen Olsen

About halfway through, a very tall gentleman in front of me split a pill in half and handed a part of it to his friend along with a beer. He mumbled, “put this in your mouth,” and his companion dutifully obliged. I waited patiently, sure that their sways and bobs would become frantic soon, or that they’d end up just a beat or two behind the rest of the crowd. I was happily surprised when they remained as engaged by the stage as the rest of us. But thinking back on it, what was I to expect? Attending an avant-garde, Icelandic rock show is not for the faint of heart, nor is it for a transitional fan. It’s for people who are delighted by flashing lights and projected floating bodies. For those of us who can, in fact, imagine that foreign-language vocals are just another part of the lushest of musical landscapes. For fans who cannot wait until the next time Jonsi picks up his bow and drags it along the strings of his electric guitar.

All Photos ©2013 AWELDINGPHOTO and Pittsburgh Music Magazine

IMG_2988_Snapseed IMG_2705_Snapseed IMG_2708_Snapseed IMG_2722_Snapseed IMG_2723_Snapseed IMG_2725_Snapseed IMG_2726_Snapseed IMG_2735_Snapseed IMG_2745_Snapseed IMG_2753_Snapseed IMG_2762_Snapseed IMG_2766_Snapseed IMG_2782_Snapseed IMG_2800_Snapseed IMG_2810_Snapseed IMG_2902_Snapseed IMG_2936_Snapseed IMG_2937_Snapseed IMG_2942_Snapseed IMG_2958_Snapseed IMG_2983_Snapseed

The Black Crowes and Tedeschi Trucks Band Serve Up The Concert Of The Year

Pittsburgh has lured a lot of spectacular acts this year.  It seems that the concert list is filled with cool eclectic new acts and road tested proven rockers.  Last night at Stage AE, Pittsburgh was treated to sonic experience like no other I’ve seen. The night opened with fairly new rockers to the scene, NYC’s The London Souls (see review here). Followed by heavy hitting southern blues trailblazers The Tedeschi Trucks Band and The Black Crowes.

TTB kicked off the celebration by filling the stage with an 11 piece band which included a horn section. Fronted by the husband wife team of Tedeschi and Trucks. Susan Tedeschi may have one of the most soulful and beautiful voices in the business today.  She is a relaxed performer with all the tools to wield a sweet sounding guitar to accompany her aforementioned singing.  Derek Trucks delivers the Sonny Boy Williamson slide blues style better than anybody in the business.  I guess we’ll find out when Warren Haynes takes the same stage with Government Mule September 18th.


“Midnight In Harlem” was beautifully performed and Susan T added a little rasp to the honey.  She continued to get better as she went on.  The crowd got amped when Trucks started a call and answer run around with the horn section. He may have even smiled as he is not one to show much emotion. It all comes from his hands and trusty Gibson SG.

Georgia’s prodigal sons, The Black Crowes came out of a puff of smoke with old staple numbers from “Shake Your Money Maker” their platinum debut record. A hard hitting “Jealous Again” and “Thick and Thin” woke the crowd up from their soft southern nap and had people scurrying back from the beer lines.  Drummer Steve Gorman drove TBC hard through the first half of the set which sounded like viral Humble Pie live at The Fillmore.

By the time they got to “Soul Singing” they were ready to let it out and take everyone on a hippy infused Dead-trip. Jackie Greene brings a stinging psychedelic flavor to TBC. He and Rich Robinson wove a groovy sound that sent Chris Robinson to new heights. His voice was masterful on this night as he danced and plodded alongside bassist Sven Pipien. There only break was an acoustic version of “She Talks To Angels” with Jackie Greene on the mandolin. The Crowes then opened the pen to a string of hits which included “Thorn In My Pride”, “Sting Me” and “Remedy”. Somewhere in the magic, keyboardist Adam MacDougall had some spectacular solos and fills that had the crowd in dance mode. The evening’s next highlight was the “Hard To Handle- Hush” medley which had the whole place spinning like a scene at a pagan festival.

The encore was a special moment.  The sound was spot on and only could be improved by being joined by Tedeschi and Trucks.  The southern blues rock all-stars crushed a cool version of Joe Tex’s “Show Me” (see vid below of the tune) with Trucks standing side by side with TBC primary songwriter Rich Robinson. Rich and Derek were having a ball trading licks and glances of approval. Susan T and Chris Robinson harmonized through chorus sections and brought the soul to new stratospheric levels.  The show closed with a blinder of a cut, “Turn On Your Lovelight” by Bob Bland where the band twisted and turned with ferocious grooves and syncopated solos.


The post show chatter through the parking lot was all the same. People smiling and shaking their heads in awe of the performance shared at Stage AE. The double bill of TTB and TBC prove to be one of the best of the summer. We can only hope they return.

Set List

Rob Eldridge 

PMM> Editor in Chief > Writer > Photographer

Pittsburgh Please Welcome…….The London Souls

NYC based trio, The London Souls fought off Pittsburgh’s rush hour traffic to arrive just in time to support The Black Crowes and Tedeschi-Trucks Band at Stage AE.  Taking the stage at 6pm, The London Souls ripped though a 30 minute set filled with older hits and newer gems from their upcoming new record “Here Come The Girls” slated for an early winter release.

This slideshow requires JavaScript.

The guys came out swinging opening their set with a power rhythmic number “Steady Are You Ready” followed by an ultra sweet rendition of  “Honey”.  Singer-guitarist Tash Neal pushed his apple red Gibson through a beat up Vox amp, serving up warm dirty tones for drummer Chris St. Hilaire to drive to the very engaged crowd. By the time they got to “I Think I Like It” Pittsburgh already did.  Paying witness to a happy head-bobbing crowd with absolute no regard for the steady drizzle, I noticed people were asking around “who are these guys again?”.

The London Souls are Tash Neal – gtr-vox, Chris St. Hilaire – drums, vox and Stu Mahan – bass. Their sound could best be described as melodically charged riff rock with blues progressions and a super energetic rhythm section.

I was fortunate to catch up with the guys after the show to chat about where they are and where they’re going. Trust me folks…..these guys are going to lofty places.

I will be reviewing their new CD real soon. Don’t miss them when they return with Umphrey’s McGee at Stage AE on Oct. 25th.  I will be covering this show and will continue to provide updates from this very promising band.