Andrew Belle @ Club Cafe // 10/18

Chicago-based Andrew Belle has made a name for himself as one of our more compelling songwriters since releasing his debut album The Ladder in 2010. Though that album held strong at number one for several weeks on iTunes‘s singer-songwriter chart and earned dozens of television and film licenses, Belle boldly followed a new muse on the album’s electronic, alternative follow-up, Black Bear. His third and latest album Dive Deep doubles down on the ethereal electronic sound of Black Bear, and sees Belle pushing himself to new depths as a songwriter, a vocalist, and a composer. Soaring choruses and moody arrangements abound on Dive Deep, a thoughtfully crafted and deeply felt album that deserves consideration among peers like James Blake and Bon Iver.

The new album is FANTASTIC – very chill vibes with pleasing electronic beats, comforting acoustic sounds and thoughtful lyrics. Check out the press love so far:
Paper Magazine premiered the first single from this record early last week, watch the video here: http://www.papermag.com/premiere-andrew-belles-new-video-for-down-is-a-testament-to-taking-cha-2437101408.html

GHOST Popestar Tour Pummels Pittsburgh with a Square Hammer @StageAE

You know the band that you feel like you discovered so early on that you swear they are part of you?  It’s like you learned some great secret and you just cannot help but want to share that secret with everyone.  Little by little it’s not a secret anymore and that can be joyous or disastrous.  Many fans are protective of the bands they find, but personally, I love sharing them with people and seeing those bands have their effect on as many people as possible.  I first caught Ghost in a little article in Decibel and it was not long after that they embarked on a US Tour (2012) with Opeth and Mastodon that I was privileged to witness and photograph.  I left that experience with a deep love for what the band was doing and could never dream the level of what they are up to now.  I have not missed a Ghost show in town since, so I will do my best to remain unbias, but fully revealing, which is why I am unusually writing in the first person.

Ghost is currently on their US “Popestar” Tour that coincides with an EP of the same name.  Everyone who purchases a ticket gets a free download of the EP (a little trick Prince sort of invented).  Ghost’s Popestar is a brilliant chapter in what is hopefully an endless novel of work.  On an EP, a band is often able to introduce new material as well as offer deep cuts, live, never-heard, or cover songs.  With each LP or EP Ghost has produced they have grown and shown more of their personality as a band and their versatility.  This latest piece includes “Square Hammer” which will take Ghost to another level in popularity due to its catchy chorus that I defy you to erase from your head. Ghost decided to open with this song, risky, but a great call.  The song came off wonderfully and flawlessly, the audience already knowing every word.  The rest of the EP was not handled live, most likely due to that fact it is mainly cover tunes, including songs from The Eurythmics, Echo and The Bunnymen, Simian Mobile Disco, and Imperiet.  In many ways that was a bonus because what one really wants to see are the Ghost songs one loves and is familiar with.

The second and third song were heavy hitters, including the last LP Meliora‘s big hit “From The Pinnacle To The Pit”.  This was another breakthrough for the band in the heavier vibe and killer bass line, this time, handled live by the new female bassist (replacing Omega), who could be or could not be SeanYseult from White Zombie (or possibly onetime the Oath guitarist Linnéa Olsson).  Then “Secular Haze” lead single from  Infestissumam came blazing in to keep the heavy vibe rolling.  It was great to hear something from the first LP, Opus Eponymous, in “Stand By Him” keeping with the tongue in cheek horror/religious and social commentary theme.  And this is where Ghost either wins people over or loses them, it is their intelligent, sometimes humorous, and double entendre lyrics that either make you fall in love or run for holy water.

“Con Clavi Con Dio” was perfect, as Papa continued to perform flawless vocals, and dual guitar players just keep hitting the riffs and gorgeous melodies that fit so perfectly, not overpowering, but subtle with grace.  Of course, this particular song draws a bit more on their horror genre pieces being from the first LP but also includes a good Latin lesson for those digging beyond surface level.  Tack onto that “Per Aspera ad Inferi” that shows off the more sexual side that Ghost explored on Infestissumam .  And then came “Body and Blood”, a song that explores cannibalism, as well as the sexual metaphor of eating flesh, and the strange phenomenon of when one eats communion, it also has to come out…food for thought people.

The instrumental “Devil Church” was a great segway to the single (and huge sing a long) “Cirice“, a love song of sorts only Ghost could pull off.  Papa continued with hilarious banter in between songs, always in his “Dracula” voice, and everyone ate up the theatricality.  It was as though everyone in the audience was in on the fun, got the inside joke, released their inhibitions for a few hours.  This is what concerts are for, yes?  “Year Zero”, one of Ghost’s strongest tunes and of course, most outwardly “satanic” with the mentions of Belial, Behemoth, Beelzebub, Asmodeus, Satanas, and Lucifer, brought a massive cheer and response from the audience.  With the chorus of “Hell Satan, Archangelo/Hell Satan, Welcome year zero” either you join in or go to confession the next day, or maybe both.  What true fans of Ghost realize is that they do not take this stuff too seriously and treat it more as horror fun.  Strong religious types are not going to agree anyway, so I will not even entertain appeasing their opinion.  A small intermission followed to allow Papa’s key costume change out of the dead pope costume and into the art deco, 1920’s stylish persona that was unleashed on the previous tour.

The following songs were He IsAbsolutionMummy DustGhuleh/Zombie Queen, and Ritual.  Just brilliant.  “Mummy Dust”, “Ghuleh” and “Zombie Queen” completely highlight how musically deep this band is and the complex arrangements that they can put together.  Ghost is part metal, part prog, part new wave, part classic rock, and we’ll throw some classical in there as well. Who else can pull out a Keytar and not look like some pop one hit wonder from the 90’s?  They have the ability to put together things that are unexpected, completely embodied by the dichotomy of their image and their music.  I cannot apologize for loving this band which is why I stated the earlier disclaimer, it’s hard not to be biased when you have witnessed them five times (every tour in essence), every time they have graced Pittsburgh, and have come away with such elation, a tough feat when you are lucky enough to go to a few shows every week.

The encore, of course, was the traditional “Monstrance Clock” ending and the spooky chorus of “Come together, together as a one /Come together for Lucifer’s son”.   Fists raised and pumping, the audience in full fervor sung along and when it ended left spent and happy, much like Papa’s explanation of the slower paced song being a bit like the show building to an orgasm.  This writer left very spent and very happy.  Every song was great, the show surrounding the show was killer, and the crowd was super cool.  Doug Bradley, AKA “Pinhead” from Hellraiser was, as always, in attendance with his beautiful and talented artist girlfriend and hung out in the pit for a bit with the photographers.  This was icing on the cake, in that we had a great conversation about the band and Doug described himself as a “fanboy” and as a close friend of the band, discussed “Papa’s” genius (even though we all know who it is, I will not confirm).  Part of the fun of Ghost is the mystery they have built and the fans protect.  It works and it fits perfectly in the genre.  As they finish this tour and move on to the next LP, the band will inevitably become bigger and better.  But, being the “taste” that they are, the band will always be ours, always belong to us, always be our secret.  May the haunt us forever.

 

 

All photos 2016 AWeldingphoto

 

Real Guitars Made from Real Skateboards

Real Guitars Made from Real Skateboards

From Skate Park to Studio: Prisma Guitars Makes Musical Dreams a Reality

SAN FRANCISCO —What started as a love for two hobbies is evolving into a passion for one business. Today, Prisma Guitars is driven by the goal of building custom guitars with a one-of-a-kind style where instruments are all 100% handcrafted from the wood of recycled skateboard decks and custom engineered for the highest quality sound.

Prisma offers musicians the opportunity to customize every feature in building their dream guitar, from body shapes and pickups to necks, bridges, and knobs. Prisma electric guitars have six body shapes that can be built entirely with skateboards, a skateboard top and mahogany or alder back, or with a hollow body. In addition to using their own stock of skateboards, Prisma is able to build a guitar with a customer’s skateboards at no extra charge.

Necks are available in multiple profiles in four styles: skateboard, mahogany or maple with rosewood fingerboard, or one-piece maple. Each neck has a 12’’ inch radius and 25.5’’ scale length with a hand-shaped Graph Tech nut at 1 5/8’’ width. Prisma uses only hand-wound pickups from McNelly Pickups and David Allen Pickups, and all guitars are built exclusively with Emerson Custom electronics. Tone Pro or Mastery bridges are available, and an Allen key Hot Rod truss rod anchors the body, which has a 100% nitrocellulose instrument lacquer finish.

Prisma also builds custom bass guitars in two body styles with three wood options: mahogany back with skate top, alder back with skate top, or full skateboard. A maple neck with rosewood or maple fingerboard is available along with three finish types and several other customizable features.

 

Pricing for custom guitars begins at $2,500 and orders take approximately eight to twelve weeks to complete. Left-handed models are available at no extra cost, and all instruments come with a travel-ready MONO bag. Guitars can be shipped internationally.

Tapping into local SF culture, Prisma also offers pre-built series guitars with select customizable features. The Sunset Series pays homage to Prisma’s Sunset District neighborhood, home to Ocean Beach, where surfing and skateboarding are a way of life. Each guitar in this series is a vibrant pastel that is meant to represent a house in the neighborhood. Loaded with McNelly x Prisma pickups, the series features handmade skateboard knobs and a custom Decoboom pickguard inspired by 1970s surf culture.

“Skateboards are made with seven layers of hard rock maple— a familiar guitar wood— and some of the layers are randomly dyed colors. Through working the materials, we get the colors to come through,” says Nick Pourfard, founder of Prisma Guitars. “Every single time I build one, it’s a different result. I never make the same guitar twice.”

For a behind-the-scenes look at the Prisma design process, check out this video that features a demo by professional skateboarder and musician Tommy Guerrero. To learn more about custom Prisma Guitars, visit www.PrismaGuitars.com.

About Prisma Guitars 

Prisma Guitars was founded in 2015 by 24-year-old Nick Pourfard, a self-taught woodworker and industrial design student based in San Francisco. Inspired by his love of skateboarding and music, Nick decided to combine the two to create colorful guitars using broken and used skateboard decks. He has created custom guitars for stylistically diverse musicians at home and abroad, including international icon Steve Harris of the band Iron Maiden. Prisma Guitars are all 100% handmade in the USA, and the colors are completely one-of-a-kind for every build. To learn more, visitwww.PrismaGuitars.com.

Cort Guitars Releases AB850F Acoustic Bass Model

SEOUL, SOUTH KOREA—In the spirit of back-to-school season, Cort Guitars invites you to meet the new acoustic bass in class: the AB850F. The AB850F features the same high-quality craftsmanship as its classmates with the latest Fishman electronics resulting in a big natural acoustic sound with plenty of volume to anchor the low-end in any musical setting.

unnamed (4)A signature feature of Cort acoustic basses is the full-size, jumbo body that measures 110-135mm. This depth produces a huge, full-bodied sound with plenty of bass and volume. Available in natural or black finish, the AB850F body features a dovetail neck joint and Venetian cutaway for easy high-fret access. Advanced scalloped x-bracing provides exceptional sturdiness beneath the surface.

The AB850F’s wood construction is best-in-class and best-in-sound. Spruce is an overwhelmingly popular choice for the acoustic top because of its ability to provide an excellent balance between strength and flexibility. The AB850F’s spruce top has a versatile sonic character that makes it ideal for a variety of musical genres and playing styles. Equally as popular on acoustic models are the AB850F’s mahogany back and sides that are bright, yet natural with a strong and warm midrange.

This quality acoustic bass has a 43mm nut width at the neck and a standard 34’’ scale length that complements the jumbo-size body for an expansive sound with enhanced string vibration. The 22-fret rosewood fingerboard with dot inlay leads down to an esthetic multiple rosette that complements the rosewood bridge.

The AB850F is equipped with the Fishman ISYS + EQ. Featuring a 2-band equalizer, LED tuner and phase control along with Sonicore pickup, these high-quality electronics deliver the signature Fishman sound as well as excellent amplification.

Competitively priced at $449.99 MSRP, the AB850F provides big sound at big value and comes standard with a gig bag. For more information, and to find a Cort dealer, visit the manufacturer’s website by clicking here.

About Cort Guitars

Cort designs, manufactures, and delivers some of the finest guitars and basses to musicians and music enthusiasts all around the world. Over the past 50 years, the company has worked with some of the largest and most well-recognized guitar companies in the industry as well as artists of international recognition. Cort remains focused on providing instruments that will last generations with the best workmanship possible, the best materials and components, and the best service long after the instruments have been purchased. For more information, visit www.cortguitars.com.